Flores is home to a number of the foremost ancient ceremonies and rituals of the Catholic and Animalistic background. “Caci” is a traditional dance from West Manggarai. Initially played by the crusaders to celebrate and commemorate the folk’s war. Today Caci is performed at special events like harvest thanksgiving, successful projects or state occasions. Caci is a whip fight between two rivals in which the fighters dance following the rhythm of traditional acoustic instruments. A group of people sing lyrics in their local language. Beside this the cultural group also performs other traditional dances.
Caci, a ritual whip fight, is a major element of Manggarai cultural identity. Being a unique and aesthetic delight for spectators, caci performances are an attraction to foreign as well as domestic visitors of Manggarai.
Caci is played out by two male adversaries, with one of them usually coming from another village to compete. Spectators support their favorite party by cheerfully shouting out their encouragement, making it a very lively event. Caci equipment, consisting of a whip, a shield, masks, and sticks, bursts with symbolism: the aggressor’s whip is made out of rattan, with a leather-covered handle. It symbolizes male, the phallic element, the father, and the sky. The defender’s round shield represents the female, the womb, and the earth. It is usually made out of bamboo, rattan, and covered with buffalo hide. As these meanings suggest, the male and the female elements are united whenever the whip hits the shield – symbolizing a sexual unity as an essential premise in giving live. The players’ heads are covered with a wooden or leather mask wrapped with cloth and goat hair that hangs down at the back. The two horns of the mask represent the strength of the water buffalo. For additional protection from the ashes of the whip, the defender holds a stick in his left hand.
While fighting, the men wear a traditional songket (woven cloth) over a pair of regular pants. A belt of bells worn on the hip and a string of bells strapped on the ankles create a peculiar sound. The upper body remains bare and uncovered, leaving it exposed to the whips’ lashes.
After a starting signal, the whip and shield duel begins. The fighters shuffle their feet and raise spectators’ tension by running back and forth towards each other. The aggressor tries to hit his opponent’s body with the whip. However being hit does not automatically mean losing the game – it is more important which part of the body is hit in deciding the winner. A hit in the face or on the head means losing the game; a hit on the back, though, is a good sign, promising that next year’s harvest will be prosperous. The roles of aggressor and defender are reversed after every whip strike, and, after four trials, a new pair of opponents will take their chance. Even though it is a playful event, caci also has a sacrificial function: the blood that is shed from the wounds caused by the whips is an offering to the ancestors, who, in return, will ensure the fertility of the land.
Caci used to be performed frequently during Penti, a festival held after harvest to end the old agricultural year and begin the new one. Being part of the integral ceremonial and ritual context of Penti, caci was never performed as a stand-alone event. The performances lasted at least one day – more often two or three days – always accompanied by drum and gong music. The preparations for caci required many fixed ritual procedures accompanied by animal sacrifice. Other occasions for caci performances included marriages, births, and funerals. The functions of caci were manifold: besides being a social event and a way to fulfill obligations of offerings to the ancestors, it is also an opportunity for young men to prove their virility and – in the past – a means of conflict management for disputing villages.
The best time to see caci in its original context is during Penti Festival, which usually takes place in the dry season between July and November, depending on the region. Nowadays, most villages celebrate Penti at five-year intervals.
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